After the release of his 2012 breakout album 2, Mac DeMarco’s fanbase began spreading around the globe in the lead up to Salad Days. In a 2014 interview with Evan Minsker of Pitchfork, Mac described feeling “weathered and beat down and grown up all of a sudden” after almost two years of touring and press.
Download Salad Days by Mac DeMarco at Juno Download. Listen to this and millions more tracks online. Mac Demarco - 2 2012 MP3 320kbps 1 - Cooking Up Something Good (2:41). Mac Demarco - Salad Days 2014 MP3 320kbps; The Murlocs - Young Blindness 2016 MP3. Salad Days Lyrics: As I’m getting older, chip up on my shoulder / Rolling through life, to roll over and die / Missing Hippie Jon, salad days are gone / Remembering things just to tell ‘em so long.
As a result, his second full-length album Salad Days not only progressed technically but also developed in its maturity and themes. “It’s weird because I did it all in about a month. Maybe it was the mood I was in, I didn’t really feel like writing a ‘rock’ song,” Mac explained in a 2014 interview with Under the Radar.
Free rummikub download for mac. In saying this, it wasn’t like DeMarco suddenly had some epiphany about modern social issues after watching a late night Oxfam commercial. Salad Days is still smeared with his signature cheek and charm, but when listening to his previous albums comparatively, you can hear his lo-fi indie-rock speaking on a deeper level.
It’s time to grow up and eat our greens, so here are 5 steps that went into making Salad Days, the perfect side dish to everyone’s favourite cheesy Mac.
From broken tape machines to analog synths to shitty guitars, we take a look at the what went into making Salad Days, the perfectly imperfect third album from Mac DeMarco.Step 1: 30ml of 100% Undiluted Mac
Mac’s demeanor isn’t some façade conveniently reflective of his music used to sell records to young rebellious teens. His music is directly a result of his character, not the other way around. This aspect of his creative process really shines on Salad Days, analbum that was performed, recorded and mixed entirely by DeMarco himself at Jizz Jazz Studios – his small Brooklyn apartment.
In 2014, when American Songwriter asked Mac why he didn’t involve his band in the recording of Salad Days, he responded by saying “I feel like I’m most satisfied when I can do it myself… Guitar and bass: I’m okay at. Drums: I can scratch my way by. Keyboard: I’m not super good at, but that’s fun for me because I don’t really know what I’m doing, and maybe something weird will happen, y’know?”
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Whether it was his prowess on the fret board, his no-frills style of drumming or his uncertainty with keys, Mac’s unassisted writing, performing and engineering on the album spawned a truly unfiltered product of who he is. And without added opinions from musicians, cowriters, producers or engineers, Salad Days emerged from the womb as a very authentic creature, a reflection of DeMarco himself.
Step 2: Equal parts Analogue, Tape and Cigarettes
A large portion of the warm, wobbly vibes on Salad Days came about through the use of analog gear, including a Focusrite ISA One Analog Preamp, his vintage Roland Juno-60, and most notably, his Fostex A-8 Tape machine.
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In the 2014 Pitchfork documentary Pepperoni Playboy, DeMarco reveals that the trick to his signature sound is “[…] all pitch control you dumbasses, get yourself a tape machine” as he jokingly bends the song Let Her Go into a beautiful sluggish mess using the pitch knob on his Fostex.
Recording to tape requires both expertise and care – in particular, guarding the precious magnetic tape from volatile elements – but towards the end of the recording process, the eight-channel tape machine was down to six channels, and thanks to his close-proximity chain smoking, the tape had slightly warped.
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Problematic as these hiccups may seem, they were imperative to the character of the album, and in conversation with Minsker, Mac reacts to the damaged tape by saying, “The guitars sound so fucked up […] It’s amazing.”
Step 3: Add Cheese and Mix Well
The sound most people associate with Mac DeMarco is his metallic guitar tones, of which there is no shortage of on Salad Days. And it all begins with Mac’s beloved 60s Sears guitar that looks like a prop from a Frankenstien sequel due to years of touring abuse.
Purchased for a measly $30, the Japanese-built guitar sports a single coil neck pickup, generating his recognisably clean, jangly tones. Sibelius free download mac full. Additionally, the irregular combination of recording a cheap guitar through a not-so-cheap tape machine further defined the distinctive sound of the guitar.
DeMarco’s go-to effects unit for guitar is the modest Alesis Microverb 4, from which he uses a variety of choruses, flangers and delays, creating rich wavering chords, cheesy chorus lead tones and an overall lo-fi quality that translates well to tape. https://bazarrenew476.weebly.com/blog/anaconda-36-mac-download.
When asked by American Songwriter about the guitar tones on Salad Days, Mac explained by saying “[I’m] finding things that I used to think were really cheesy or really lame, like classic rock guitar sounds weird, the effects, I hated it before. But now I think like flanger? I love it; it’s great.”
Download Salad Days Mac Demarco LyricsStep 4: Divide (un)Evenly
Another distinctive Salad Days trait is the panning and stereo image. Due to the limited channels on the Fostex, the drums on the album are grouped closely together and sit fairly narrow in the mix.
In some songs, like Brother, Passing Out Pieces, Go Easy and Jonny’s Odyssey, the drums are panned to one side with the bass mirrored on the other. While this kind of effect was sometimes used on old jazz recordings to create a ‘live on stage’ stereo image, it’s fairly uncommon these days and is an abnormal choice for a modern indie record; further proof that Salad Days is not at all typical.
Step 5: Set Budget from Low to High and Bake
Although Mac Demarco was independent in almost every aspect in creating Salad Days, mastering was one skill that was outsourced. Best left to the professionals who spend years studying the process, Salad Days was mastered by Josh Bonati of Bonati Mastering in Brooklyn, NYC – a seasoned engineer with a long list of clients, including DIIV, Lust For Youth and Beach Fossils.
While it’s unknown just how much work Bonati had on his plate when presented with Salad Days, the result was an album that sounded smooth and balanced as a whole, despite DeMarco’s homespun recording style. And although it’s not technically flawless, the perfectly imperfect nuances that are present on the album are part of the Salad Days appeal – a genuine representation of the man behind the microphone.
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“As I’m getting older, chip up on my shoulder..” is the opening line from Mac DeMarco’s second full-length LP Salad Days, the follow up to 2012’s lauded Mac DeMarco 2. Amongst that familiar croon and lilting guitar, that initial line from the title track sets the tone for an LP of a maturing singer/songwriter/producer. Someone strangely self-aware of the positives and negatives of their current situation at the ripe old age of 23.
Written and recorded around a relentless tour schedule, Salad Days gives the listener a very personal insight into what it’s all about to be Mac amidst the craziness of a rising career in a very public format. The lead single, “Passing Out Pieces,” set to huge overdriven organ chords, contains lines like “..never been reluctant to share, passing out pieces of me..” Clearly, this isn’t the same record that breezily gave us “Dreamin,” and “Ode to Viceroy” but the result of what comes from their success. “Chamber of Reflection,” a track featuring icy synth stabs and soulful crooning, wouldn’t be out of place on a fantasy Shuggie Otis and Prince collaboration. Standout tracks like these show Mac’s widening sound, whether insights into future directions or even just welcome one-off forays into new territory. Still, this is musically, lyrically and melodically good old Mac DeMarco, through and through. The same crisp John Lennon/Phil Spector era homegrown lush production that could have walked out of Geoff Emerick’s mixing board in 1972, but with that peculiar Mac touch that’s completely of right now. “Brother,” a complete future classic, is Mac at his most soulful and easygoing but with that distinct weirdness and bite that can only come from Mr. DeMarco. “Treat Her Better” is rife with “Mac-isms,” heavily chorused slinky lead guitar, swooning vocal melodies, effortless chords that come along only after years of effort, and the other elements seriously lacking in independent music: sentiment and heartfelt sincerity. Mac DeMarco Salad Days Track Listing: 1. Salad Days 2. Blue Boy 3. Brother 4. Let Her Go 5. Goodbye Weekend 6. Let My Baby Stay 7. Passing Out Pieces 8. Treat Her Better 9. Chamber Of Reflection 10. Go Easy 11. Jonny’s Odyssey Comments are closed.
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